Sunday, August 26, 2012
Hurricane Isaac Mix 2012
Stormy Weather: The Magnificent Men
Water No Get Enemy: Femi Kuti
She's Like the Wind: Vibekingz
Let's Get Blown: Snoop Dogg
Summer Rain: Carl Thomas
Storm Warning: The Volcanos
The Rain: Melody Gardot
Stormy Weather: Little Dragon
Song of the Wind: Gil Scott-Heron
Digging Your Scene: The Blow Monkeys
Wind Parade: Donald Byrd
Wade in the Water: Graham Bond Organization
It Really Doesn't Matter To You: Thundercat
Blown Away: N.E.R.D.
After the Hurricane: Jazmine Sullivan
Saturday, August 11, 2012
Sweet and Rare
August 2012: 5 Sweet Soul Songs Under the Radar:
Gene Williams: Don't Let Your Love Fade Away
Milton Wright: Leave Me Alone
Marvin Holmes & Justice: I Can't See You
Michael Orr: Here I Go
William Bell: All I Need is Your Love
Saturday, August 4, 2012
I'm a Soul Man ... but
I watched Young Adult on a recent flight, Jason Reitman's follow-up to Up In The Air, and as silly as i thought the film was, I enjoyed the score by Rolfe Kent.
I had never heard of the British composer before, and I kept thinking that the music was actually done by Jun Miyake who figured so prominently in Pina, Wim Wenders beautiful love letter to the German choreographer. At other times, I thought that the music was by Jon Brion, who scored Eternal Sunshine of the Spotless Mind. Then I saw Ken Ishii was the sound mixer, and I wondered if this was the Japanese electronic mastermind who does the Tokyo Fashion Fuse which my old friend and colleague Alastair Himmer is doing frequently in Tokyo.
Well I do not know if Ishii is the same Ishii, but Rolfe Kent was the reason I sat through gorgeous Charlize Theron's painful but silly take on a Minneapolis author smitten with her high school sweetheart as envisioned by Diablo Cody.
I do know that this is getting more and more twisted as the moments pass, that I would never recommend the film, but that I loved some of the music, even the Teenage Fanclub/Dinosaur Jr. alt-rock 90's music I would never have listened to back then.
I had never heard of the British composer before, and I kept thinking that the music was actually done by Jun Miyake who figured so prominently in Pina, Wim Wenders beautiful love letter to the German choreographer. At other times, I thought that the music was by Jon Brion, who scored Eternal Sunshine of the Spotless Mind. Then I saw Ken Ishii was the sound mixer, and I wondered if this was the Japanese electronic mastermind who does the Tokyo Fashion Fuse which my old friend and colleague Alastair Himmer is doing frequently in Tokyo.
Well I do not know if Ishii is the same Ishii, but Rolfe Kent was the reason I sat through gorgeous Charlize Theron's painful but silly take on a Minneapolis author smitten with her high school sweetheart as envisioned by Diablo Cody.
I do know that this is getting more and more twisted as the moments pass, that I would never recommend the film, but that I loved some of the music, even the Teenage Fanclub/Dinosaur Jr. alt-rock 90's music I would never have listened to back then.
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